Emily Hall writes about what it means to be both mother and composer – the ways in which her composition practice has been informed and changed through becoming a mother … Read More
Evie Ward writes about how Moki Cherry incorporated parenthood and working with children into a creative practice. Part of a series of editorial exploring motherhood and composing Mother / Composer … Read More
Raf Alero writes about what it means to be pursuing a creative practice alongside parenting responsibilities: the space for a new kind of creativity and the importance of inviting, not … Read More
This article was originally commissioned for and published on thesampler.org “Can we afford to be so innocent? Can we afford to give in so uncritically to the desire to see … Read More
Matthew Perrett reviews Invisible by Ikue Mori, released under Takuroku — Cafe Oto’s digital label supporting artists in lockdown.
The Great Compression: Musicians’ performance-to-video in lockdown By Neil Luck At a time where at least half of the world’s population is confined to their own homes, I’ve found it … Read More
The third and final slice of a series from composer Neil Luck, on performance, politics, and the possibilities of the colloquial. [ Part 1 | Part 2 | Part 3 … Read More
The second slice of a three-part series from composer Neil Luck, on performance, politics, and the possibilities of the colloquial. [ Part 1 | Part 2 | Part 3 ] … Read More
The first slice of a three-part series from composer Neil Luck, on performance, politics, and the possibilities of the colloquial. [ Part 1 | Part 2 | Part 3 ] … Read More
Sound is Matter Singing – Environmental and Site Specific Performance Environmental and site specific performance, is something really important for me, the process is diverse and we often work on … Read More
